No Wine Over $20-Reviews and the LA Wine Scene

My dear Cuban amigo and muy talented artist Iggy-tones writes: "Lately I've been traveling up to Shell Beach in the Central Coast because I currently have for sale a two bedroom house that I own. The house is a block and a half from the shore. The whole area of the Central Coast is growing grapes. Do you have some recommendation of interesting wines and wineries to visit on one of my trips there?"

Toss a 70 mph pitch down the middle to Barry Bonds and he couldn't hit it as far as I can unload on this topic. Paso Robles is my favorite California wine country tour. I love to visit. Consider this. Paso was the up and coming wine region in the state until Sideways. Miles puked in the Fess Parker tasting room (it was the Fess Parker winery wasn't it?) and everyone forgot about Paso. Like the 101 just ended in the Santa Rita HIlls AVA. Why oh why do I love Paso? Because it has been somewhat forgotten, cut off at the knees by Santa Barbara. Paso got all the way to the altar and the bride (all us consumers) took off. But the wine did not change in Paso Robles. The changeover that has been taking place in Paso ever since Tablas Creek arrived has continued without interruption. I am talking about dumping the cab and chard and replanting with syrah, grenache, mourverdre, grenache blanc, rousanne, marsanne and every other southern France cutting the folks at Tablas Creek could bring into the country legally with full papers and full quarantine. No mongrels in the Tablas Creek nursery. They are the modern Library of Alexandria for Southern France vinifera.

Tablas Creek is the tip of the iceberg. There are dozens of wineries with production facilities, tasting rooms, storage..the whole mushpucha. Consider Justin who still makes a very popular and Napa-priced cabernet named Isoceles. Then there is Pipestone which is a 10 acre site planted, owned and operated by a wonderful couple who abandoned careers in environmental law and biochemistry to live in the middle of nowhere and learn how to make wine and live peaceably with the cougars. Justin, TC and Pipestone are part of the Far Out Wineries contingent. They are located at the greatest distance from Paso Robles. Well worth the ride for the terrain, the wines and the hospitality. This ain't Napa. Or Santa Barbara/Solvang.

And how about Clautiere? They made lingerie before turning their attention to wine. If wine can be sexy then it will be a Clautiere wine. Their parties sure look like a lot of fun. Clautiere is located on the unfashionable East Side of the 101. Where the Westside has rolling hills and deep pockets of microclimate bounty the unfashionable Eastside has low hills and hot dry dusty roads...with some very old Italian farmer fields (another kind of bounty). Clautiere makes very good wine at very attractive price points. Finally, the best indicator that Paso is still developing as a region of repute, the sourcing wineries (e.g., those wineries without walls) are growing in number...like Anglim of whom I have written before.

I have not hit every one of the Far Out Wineries. I have to mention Saxum and Linne Calodo, two notable wineries who are not Far Out even if their wines are pretty heavy dude. I will also mention another highly reputed winery L'Aventure however I have not tasted their wines. Sadly, few of these wineries produce much wine under $20. Tablas Creek, Clautiere and Pipestone are exceptions. Of course, I am a wine club member with each.

Paso has not stopped being the next big thing for want of its own very funny movie. It is well worth a visit. They have their wine festivals. Summer is blistering hot. We like to stay in Cambria and drive up to Paso for the day returning to the cool ocean air for the evening.

2005 Tablas Creek Cotes de Tablas Blanc ~$15: This is my third vintage of this wine. As with the red (named just Cotes de Tablas) the wine is ready to drink right away. Nose is summer melon. Flavors are fresh, light fruit, well balanced. 75% viognier and rousanne. A small does of Grenache Blanc adds a little backbone. The sweet-ish viognier fruit really stands out making this a wonderful summer evening wine with a meal of salmon. Hey- that's what we had!

2005 Tablas Creek Esprit de Beaucastel Blanc $9 in split: I bought this from Jim Ruxin. More on Jim later. Best kept wine secret in LA and beyond. Grenache Blanc dominant so the smoke is in your face but not quite like standing over my BBQ. 70% Rousanne and 25% GB. A young wine that needs at least a year. Even in the split. Serious wine.

The Tablas Creek Wine Club is the best deal I know. They make great wines without exception. They discount generously to club members. And the pedigree is peerless. This is the best of southern France in California.

WRONG!!! The Jints won. The Pats lost. If you love dee-fence you were on the edge of your seat. If you hate the hype (guess who) you kept nodding off (like me). At least the wines were excellent.

2004 Ojai Vineyard Westerly Sauvignon Blanc ~$20 (at 2003 Wine Cask tasting): Grassy, lively acid, pretty well balanced. Complemented the salsa and chips and roasted peppers. 13% alcohol.

1995 Frederic Esmonin Mazy Chambertin $40 way back when: Such a disappointment from what coulda shoulda mighta been. Brown red color. Not a nice nose. Tired flavors. Un-quaffable. Went back twice and it was even closer to le morte. Mazy - or Mazis - is the legendary Gran Cru vineyard. You can keep La Tache and the other DRC slopes. This is the one. Unfortunately, Frederic Esmonin is not the producer. I purchased a mixed case of 1995 and 1996 burgs by Esmonin and a couple other vignerons reviewed in an earlier blog entry. Only the 1996 Esmonin Ruchottes has been memorable [ed. see preceding link]. This was so far over the hill not even Randy Moss could have caught it. It is wines like this that drive me back to Becky Wasserman!

1997 Williams Selyem Riverblock Pinot Noir probably $50 on release, north of $200 today: God bless Dotore' and his bulging wine cave. He bagged this bottle forcing me and the missus to guess. We agreed right away on New World. The smoky nose and flavors were so brawny that I leaned towards a rustic and somewhat silky Carneros pinot, producer unknown. Big Lou nailed it. Is it Williams Selyem? Yes it is. She also called a pretty good game as guest analyst noting that the TV timeout allowed Belichick to thoroughly preview his challenge to Giants having 12 men on the field question during the ridiculously long and endless commercial break. The Cheater challenged and won. Not that it made a difference. Back to the W/S wine. Once again this shows W/S pinot noir wines age wonderfully and rank right at the top. Of course, Riverblock is the best Rochioli grapes W/S gets these days.

...and a couple more in the preceding and following days...

2005 Tablas Creek Bergeron ~$25: It is Rousanne. It is delicious. Middle weight with an orange and lemon peel nose. Fresh and high acid. I guess they do not make it in this style - of the Savoie - that often. I really enjoyed this wine. Please suh can I have summah? 13.5%. Now how hard was that?

2006 Crios de Susana Balbo Malbec $10: Young red wine probably produced by tens of thousands cases. Middle weight. Tastes like Syrah and/or Carignane. I do not know what to expect from Argentine Malbec. I know the Argentine vintners are making moves to export more so they must Parker-ize their wines. Here is an example. The good news is it is not so ripe as to be undrinkable (like a couple of Paso/Napa wines I can think of). 13.5%

MONDO VINO...directed by Jonathan Nossiter, released 2004.
I missed this the first time around and there are numerous posts on the featured "players" and film reviews online. I wrote mine before reading the others. I remember the hubub in the press but never saw the film. I certainly enjoyed it in 2008. Can't say much has changed except the Mondavis, who are portrayed as wine Gods with all the powers of Zeus and company (a role they all seem to relish on camera). They are no longer the Mondavi Winery Mondavis. They are now the former "international imperialists" who "secretly" investigated three Italian wine families, two of whom were the Antinoris and the Frescobaldis, to decide which would be their lucky partner in Luce.

Of course, we all know now that these kinds of theatrical exercises in corporate and personal excess will never be repeated again under this name. Here Tim Mondavi explains away the bad blood that spilled out of the Ornellaia deal and James Suckling avoids claiming creation of the term Super-Tuscan. Stay to the end and an Italian wine merchant tells what he really thinks about wine globalization and all this deep pockets whoop-de-doo.

We also see how the Mondavis found their tipping point in the Languedoc. The project they had proposed to undertake, apparently under the guidance of Michel Rolland, failed fabulously as French democracy prevailed and the rich Americans were sent packing by the new Communist mayor who fulfilled his most important campaign promise...preserving the indigenous wine industry from outside interlopers. Near the end of the film we learn Mondavi friend and consultant Rolland is the new partner with a Bordelaise in a new mega-wine-development in the same area.

Politics plays an odd role in this film on wine. The French director Jonathan Nossiter (who is American born but internationally educated) lets the viewer know that the Antinoris and the Frescobaldis were ardent Fascistas in WWII. The scenes are almost comic as the younger the family member is on camera the stronger the historical truth is acknowledged. The older folks downplay Grandpa's support for the fascists as simply going with the flow. The grandkids leave no doubt the old man loved Mussolini. The director must have thought he hit a vein. He juxtaposes the unfortunately fascist Italian patricians with an unfortunately prejudiced Argentine family (it is the world of wine). Isn't it always just a little creepy when upper class folks living in a "modern" nation feel they have to prove they are not really anti-semitic? The director asks the particular Argentine vigneron about Peron's friendship with Mussolini. He clumsily answers "hey Peron really didn't have any problem with the Jews". While it makes for titillating cinema Nossiter commits a mistake by painting nations and peoples with too broad a brush.

Mondo Vino sets up fairly simply. You have the good guys like Neal Rosenthal who nearly chokes on his pastrami screeching about the Parker-ization of wines globally and the imminent disappearance of terroir. Another good guy is the Languedoc vigneron Aime Guibert of Mas de Daumas Gassac who successfully led the resistance against the Mondavis overwhelming his town.

Then you have the bad guys. Michel Rolland laughs all the way to the bank...day after day. Micro-oxygenation apparently means monetizing bullshit in French. Robert Parker plays the do-gooder bumpkin with roots firmly planted in the radical 60s. He aims to "level the field" and remove wine appreciation from the cold pecuniary grip of the bloodless distributors. The problem is he loves the attention, the awards, as well as rubbing shoulders with, and being one of, the big names in wine. He is a dupe of his own dictatorial (fascistic?) palate. In a poignant scene his very good friend Michel Rolland - who Parker proclaims gets no benefit from their friendship when Parker "objectively" tastes Rolland's wines with Rolland at the table - laughingly (this is one happy dude) talks about how the wine merchants of Pomerol should give Parker his own plaque in the village for all the $$ he has made them.

Neal Rosenthal declares Parker's love for Merlot dictates his palate preferences...along with the rest of the wine world that covets his 90+ points and the mountain of orders that follow. There does seem to have been some film fallout for Mssr. Rolland who has had to "re-organize" as they say in the business world.

Mondo Vino is not Mondo Cane, the legendary international film of my youth. It is more Michael Moore than David Cronenberg. Yes, I am saying that Mondo Cane and its many successors were forerunners of the Cronenberg style.

In real life things are seldom so crisp and clear. The Mondavis are not bad people. Michel Rolland and Robert Parker cannot possibly be this buffoonish (can they?). Michael Mondavi describes the family's flaw as making business decisions based on family emotions. The director definitely captured some very good moments if wine and the business of wine intrigues you. Probably the best moments are conversations between burgundy vigneron Hubert de Montille and his daughter Alix who compete for family leadership as most crusty. Of course, theirs is the only wine I would like to try after watching the film. Read about the Montille estate in a blurb from the Beaune Imports website.

Rosenthal is right. Terroir before "Parker-ization".

Hats off to Nossiter for making a film worth watching.

RENT IT

We attended a wine dinner sponsored by a couple of nice gentlemen who call their business Wine Vine & Dine. The theme was Cotes du Rhone and they poured seven representative wines (three white). They purchased most if not all bottles at Du Vin in West Hollywood, a premium retailer with one of the best French wine selections in the city.

The dining room doubles as a deli. The chef served spuds, quiche and lamb chops (yummy). One diner wondered what he had against vegetables. The food was good but the wines were the main act.

A tasting is always something of a show. Why do people go into the wine business? The business is something like entertainment. It has glamour, lifestyle, enough complication to make it "intellectual". Ultimately, it comes down to the actors. Robert Mondavi was like Caruso or The Three Tenors. Everyone can't be Pavarotti, however, there is plenty of room for lesser stars (long as you are not sharing a booth with Luciano). Nyuk nyuk [ed. cue Curly vid].

And in the wine business you always end up with the wine. Here is what Joe and Will of VWD served up.

2006 Abel Clement Cote du Rhone Blanc $10: Blend of Claret, Grenache Blanc and Picpoul. Pale yellow. Light, fresh, just enough tartness in the flavor. Perfect to begin the tasting. 13%

2005 Condrieu Cave de Chante Perdrix $29: I am not fond of Viognier. Others at our table liked this wine just fine. I usually write the same notes...foxy, flinty, dry. The guys talk about peaches. I only taste the pits. This is not bad wine by any measure. It is nice to drink (if you like Viognier). Chalk it up to a bad marriage between the taster and the grape. 13.5%

2004 Cairanne Vieux Clocher Cotes du Rhone Villages $10: Strong red color. Tannic, lightweight body, toasty, dry. Opens with 10 minutes. Taste the grenache. Me likey. Good value. Not sure I would buy it over something else. 14.5%

2003 Guigal Cote Rotie Brune et Blonde $80: Every show has to have a big number, the show stopper (we hope). Like Le Marseillaise in Casablanca. This was tonight's show stopper. Syrah from the most well known producer in the Rhone. And it was excellent. The glasses were tough for getting much aroma. Not with this wine. Roasted nuts. Middle weight body. Dense, blacquisimo cherry fruit (that is very very dark cherry flavors). Beautifully made and wonderful to drink. I prefer these wines to most home grown syrahs which, it seems, have to be over-ripe in order to achieve this density and weight. Of course, I would never pay $80 for this bottle. I would rather spend twice as much for an aged La Landonne! Hey - 13%!

2004 Chateauneuf du Pape Lieu dit Les Combes d'Arnevel $39: Grenache based blend. Joe points out that as many as 14 different varietals can go into the CdP blend. Maybe that is why I rarely cozy up to a CdP wine. This one is light, with dark fruit. It is also spiny which in my vocabulary means it is lean, somewhat rigid, but not austere. 14.5%

2005 Gigondas Cuvee de Beauchamp Chateau de Montmirail $34: Imported by Beaune Imports. This should be the star as the 2005 vintage has been highly touted. Darkest wine of the evening. At first, I am put off. Too deep. The master beckons. Violets in the nose and flavor. Can taste the alcohol. After a rough start it comes together. Now I am liking it more. Getting balanced. Another example of a syrah wine that is not overripe but has plenty of stuffing. May be my favorite wine in the group. 14.5%

NV Muscat Beaumes de Venise Vignerons de Beaumes de Venise Vaucluse $21: A dessert wine. Golden color. Tastes like a young Sauternes, sauvignon blanc peach and chalkiness. Almond, wax. Very nice. 15%

Nice show.

As they say in the blippin teen franchise Bring It On movies...it's already been brung...al fresco dinner party hosted by Dr. and Mrs. Dotoré. Four couples with open minds and palates giving the tBoW team a clear shot at tasting wines we like to drink OR anything we care to pull from the cellar. The guests are in training and bring what they can find in a decent wine shop that might keep up in the wineocracy.

2006 Mas Amiel Le Plaisir Rosé $15: NBW selection, sweet, lipstick and strawberries. Grenache Noir, Carignane and Syrah. 13%

2006 Tablas Creek Bergeron $20: Screw top, 100% Rousanne, not too ripe, melons, smoke, flinty, even Dotoré gives an excellent Paso wine its due. Here are notes from the Tablas Creek blog that describes why this version [ed. 250 cs only available to wine club members] is differs from the Estate Rousanne. "Each year, we make a little early-picked, cool-microclimate Roussanne in the style in which it's made in the Savoie region in France (where the Roussanne grape is known as "Bergeron"). This citrusy, higher-acid version of Roussanne is great with fresh seafood, oysters on the half-shell, and fresh cheeses". 13.5%

2004 Don Luis Cetto Viognier $15: Big hit with Guadalupe Valley wine fans, sauvignon blanc-like in its absence of ripe fruit. In fact, not a lot of fruit at all. Feline. Riesling-like petroleum nose. Delicious, palate-filling, hint of citrus, opens up in 20 minutes, lime comes through. A bit earthy and dusty to me. A large house Guadalupe wine with a fine rep. When you are there get the olive oil. 14%

2006 Barraud Mâcon-Chaintré "Les Pierres Polies" $20: NBW again. Tastes like chardonnay without the tropical fruit or banana notes. Middle weight. Oak, rich. Fruit for a young Burg. Re-buy. 13.5%

2006 ZD California Chardonnay $25: Mainstream Napa chardonnay. Much of Napa chardonnay is being pulled up. This is rich wine in light oak. Ripe fruit, restrained. No tropical fruit flavors. Too restrained. They left out the excitement here. 13.5%

2003 Drew Julia's Vineyard $: NOT Santa Rita Hills pinot noir. Santa Maria Valley PN. Powerful spices in the nose. Thyme, sage. Spicy flavors too. Dotoré says Drew wines are often idiosyncratic. Try it with turkey chili. Would be great with Thanksgiving dinner! Could handle the cranberry. [ed. found the Gatekeepers label which is also very nice and more widely available wine] 80 cases. 14.5%

2006 Ca' D'Gal Lunine Moscato d'Asti $18: Think of these wines like the Bring It On movies. Summer fun. Lightweight. Zingy and refreshing [ed. that crosses the line]. A little fizz and some difference in the fruit profile. I am linking to the NBW site where they say nice smart things about this wine. I feel like a total cheer slut. Arguably one could match the wines to the cheer-characters. This one tastes like apples and has a good acid zing. The Morandini still stands at the top and Bartenura at the lower end of the scale. However, like the movie kids say in IM-ese...BIO! 5%

Back to the cheer-ocracy...[ed. you do mean the Wine Spectator? IMO nyuk nyuk]

It is axiomatic to oenophiles that you have to sit on some wines for awhile so the wine can develop in the bottle. I am coming to the conclusion that this is just one more corollary to the magic chef and the hallowed ground marketing themes that have created the Parker/Rolland two headed monster. Wine does age in the bottle. But does it get better? Recent pourings/tasting have concluded otherwise. The 1996 Burgundies flopped like Vlade Divac taking a charge. And here we have some pinot noir bottlings from the fabled Santa Rita Hills that also fell well below high expectations when purchased on release.

To be fair, tBoW must own being swept up willingly in the SRH hype and falling for the bombastic fruit forward styles that came from the region. How times and palates change.

This was a somewhat free-form tasting that began with white wines of curious interest and closed with five "heavy hitters". Be sure to check out very good friend David McMillan's delirious and delicious political content at the end of this post.

2006 Treana Central Coast Mer Soleil Monterey $10: Purchased online at wines.com. 55% Viognier 45% Marsanne. Dotoré asks "what are they aiming for with this wine"? Too much oak, alcohol, everything. More like a California chardonnay than a white Rhone blend. Awful. Whatever they were aiming for it could not have been this wine. 14.5%

2005 Andre Perret St Joseph $40: A Robert Chadderton selection and the first I have found unimpressive. Highly regarded producer. Would like to taste his reds. Foxy flavors make the Marsanne Rousanne blend taste more like a Viognier. Worth $15 but not what tBoW paid. At least the alcohol is a decent level. 13%

1999 Jean Luc Colombo Le Rouet Blanc Hermitage: Online press on this winemaker is appealing; terroir driven, opinionated, non-traditional. However, this wine did not show well. Acidic and lean out of the bottle. Out of balance. "Nun piss" says an irreverent taster who will never be on Chris Matthews. Somewhat madeirized. Parker says "mature". Soiled flavor as in earth. Not a very good wine. [ed. had to go with red label]

2006 Curran Grenache Blanc $26: tBoW is a Curran fan. This 2006 has been reviewed on two other occasions prior. It may be heading over the hill. Fruit presence more pronounced than old world wines squeezing life from our tongues. Marked contrast to the Rhone efforts. But the wine is out of whack. Enough time has passed to come around as these wines seem to need 12 months. We are struck by how generally mediocre are the white wines, despite expectations.

2005 Lamargue Costieries de Nimes $10: At the insistence of our honored guest we opened this delightful bottle from Languedoc. 50% Grenache Blanc, 50% Rousanne in the blend, reasonably balanced, gentle enough to sip gently, low enough alcohol to sip again and again, and easily the best of class on this day. Great value. 13.5%

disappointed and unimpressed with the white Rhones we moved on to the featured showing...Santa Rita Hills pinot noir.

These wines came right out of the tBoW cellars of yours truly and Dotoré where they have been since release.

2002 Ojai Clos Pepe $40: What could be better than pairing the original Santa Barbara/Central Coast winemaker Adam Tolmach with one of the premium new era growers (and winemaker) Wes Hagen of Clos Pepe. The wine is awkward and even a bit vegetal. Truly Adam Tolmach is somewhat of a tortured soul. Take a moment to read his own notes on this wine. I prefer his Syrah wines.

2002 Sea Smoke Southing $50: Rich, dense pinot fruit. Very smoky even though that has nothing to do with the label name. Let's pretend it does. Entry level for the most collectable SRH label. But not the best wine from the region!! 14.3%

2004 Kenneth Crawford Clos Pepe Pinot Noir $40: Thin, acidic, more like a vin ordinaire Syrah from southwest France. Something happened here between the vintage, harvest and vinification. Further evidence that Syrah is the wine to seek from SRH? I'm convinced. [ed. I never noticed how similar are the Sea Smoke and K-C labels.]

2002 Melville Carrie's VIneyard Pinot Noir $60: That is correct sir. We ponied up three Jacksons for this monster wine. It is rich. It is ripe. It is eating the little dog. This wine, alcohol and all, was preferred to the K-C, Sea Smoke and Ojai efforts. Nobody would ever confuse this with an old world pinot noir. But they might confuse it with a zinfandel port from Sonoma. 15.1%

2004 Paul Lato Goldcoast Pinot Noir $30: Elegant, balanced, delicate, smooth, silky, some smoke. Paul gets it right every time. In the vintages tBoW owns he made 75 cases. Why didn't we buy more? That's right, we had a limit. Dumbkopf!! 14.5%

So here is the real question. Given the recent tastings of SRH and Burgundy (avoiding impulse to write French Burgundy), from which region is tBoW likely to pick his next pinot noir wine? Domestic, and in the following order....Williams Selyem and Paul Lato in a dead heat; then select Oregon bottlings, then select SRH bottlings. If we go "old world" we will be looking for recent vintages from less fashionable regions....from Becky Wasserman and North Berkeley Wines.

Still have a taste for satire and a contemporary POV? Try David McMillan's News In Color on youtube. 75 entires and climbing. Here is one of my currents faves. WARNING: this material can be political.